School Blog

Reflexiones, consejos y emociones que a diario nos asaltan en este trabajo que supone dirigir un centro docente / Thoughts, advice and emotions that occur to us as we work every day to achieve academic excellence at our school.

Month: November 2014

´All children are artists. The problem is how to remain an artist once he grows up´ Picasso.Is Creativity really essential to Education?by Liz Edwards. Head of Art Department at Caxton College

Monoprint by Pilar Calvo Atienza 9B

Is Creativity really essential to Education?

The creative industries in the EU employ as many people as the car industry, chemical industry and power generation combined and growth has been 3 times as fast as the whole economy since 2008. In Britain, it`s been described as a recession proof industry with a growth of 8.6% as opposed to a general economic growth of 0.7% in 2011-12 so the importance of creativity is clear.

However, it is not just a case of economic success, creativity incorporates a deep social and cultural purpose and even for those who will never work in a connected field it has intrinsic value as a transferable life skill and source of mental well-being.

Or to put it more succinctly, as Einstein did, ´The true sign of intelligence is not knowledge but imagination´.

How do we develop as creative and innovative thinkers? 

The main inhibitor to creative and innovative thinking is the fear of making mistakes and the perception that there is a predicted desired outcome that must be emulated. Students can too often focus on the idea of what something shouldlook like, and the anticipated grade it would merit, rather than the process of discovery for itself. It’s by truly engaging with creative thinking and working with an open mind that real learning takes place. 

The Caxton Architecture project, taught in year 9, is designed to promote the independent discovery of diverse forms of mark- making and collaborative creative thinking. The initial stages of the project focus on experimenting with charcoal, to discover new ways of working, before using it to create images of buildings and going on to explore monoprint and paper engineering. The limitations and the extended focus of a given material, rather than very open choice, help engender new ideas.

As I was invited to speak about ´Innovative Teaching´ in the U.K, at the annual Secondary Art Conference in Southampton, on Nov 10th I used this project as an example.

´Necessity may be the mother of invention, but play is certainly the father´. Roger von Oech

So how do we, as parents, encourage creative success?

·         – By allowing for learning that isn’t always neat and predictable, accepting that mistakes are an essential part of the process and encouraging trial and error.

·        –  By not ´helping´ children to produce homework by actually working on it, which further undermines their confidence and can indicate that it’s the end product rather than the learning itself that is the goal.

·         – By keeping alive the urge to create, that we all have as young children, and promoting participation free from the constraints of a ´formula´. Evaluating the preparatory work´s merits retrospectively and developing that which is worthwhile rather than eliminating risk earlier and thereby losing the opportunity to move forward.

´All children are artists. The problem is how to remain an artist once he grows up´ Picasso
  
Written for Caxton Blog by Liz Edwards November 2014

¿Cómo sé si mi hijo me miente? ¿Qué debo de hacer si lo hace? / How do I know if my children are lying to me? What should we do if they do it?

Cristina Pérez, psicóloga de Secundaria de Caxton College, nos aconseja

Frecuentemente los padres pensamos que “nuestro hijo nunca nos miente”, pero la cruda realidad es que a medida que se va haciendo mayor, y especialmente durante la adolescencia, aprende a manipular a las personas que tiene alrededor, mintiendo.

A veces lo hace para evitar una consecuencia negativa y otras, porque haciéndolo va a conseguir un beneficio, por lo que detectar y educar a nuestro hijo cuando miente es necesario para que aprenda a desarrollar una personalidad íntegra.

¿Qué señales de su lenguaje no verbal me indican que miente? Con frecuencia suele hablar más despacio o más rápido de lo normal, tartamudea, le cuesta terminar las frases o se contradice, esquiva la mirada, respira más rápido y es frecuente que se toque constantemente la cara, la garganta o la boca.

En todo caso, una vez sospechemos que nuestro hijo ha mentido, debemos actuar:

Primero, no reaccionar exageradamente ante una mentira. Hay que transmitirle confianza y demostrarle que nos puede contar cualquier cosa con tranquilidad y sin miedo, evitando los sentimientos de inseguridad o de vergüenza por lo que los padres puedan pensar o decir.

Segundo, hay que enseñarle que las mentiras son negativas y a la larga, sólo traen problemas. Felicítale cuando diga la verdad, especialmente si esto conlleva enfrentarse al problema y ser castigado. También debemos explicarle las consecuencias que tendrá si vuelve a mentir.

Tercero, hay que tratar de averiguar por qué ha mentido, y así corregir lo que sucede, sin aceptar excusas, ya que cuando les descubrimos mintiendo suelen negarlo todo. Por último, deben encontrar en nosotros un ejemplo a seguir y por tanto nunca deben vernos mentir.

Cristina Pérez
Caxton College

How do I know if my children are lying to me? What should we do if they do it?

Cristina Pérez, Secondary Psychologist at Caxton College, advises us

Often parents think that “our children never lie to us”, but the harsh reality is that as they get older and especially during adolescence, they learn how to manipulate people around them by lying.

Sometimes they do it to avoid a negative consequence and occasionally because doing so will achieve a benefit. Detecting and educating our children when they lie is necessary for them to learn to develop an integral personality.

What are the signs of their non-verbal language that tell us they might be lying? They often speak more slowly or faster than usual, they could stutter, they may have trouble finishing the sentences or contradict themselves. They also may dodge their eyes, breathe faster and touch their face, throat or mouth constantly.

In any case, once we suspect that our children have lied, we must act:

  • It is not recommended to overreact to a lie. We must pass confidence on them and show them that they can tell us anything calmly and without fear. They need to avoid feelings of insecurity or shame for what parents can think or say.
  • You have to teach them that lies are negative and eventually, they only bring problems. Congratulate them when they tell you the truth, especially if this involves facing the problem and being punished. We must also explain the consequences they will have if they lie again.
  • We must try to find out why they have lied, and therefore correct what has happened, without accepting excuses, since when we discover them lying they usually deny everything.
  • Finally, they should find in us an example to follow and that is why they should never see us lying.

 

Caxton College British School